Cinema

Introduction Robyn's music has long linked the club's pulse to intimate storytelling. In queer cinema, her songs spark moments where longing, memory, and community intersect on screen. This piece traces how…

IDW is reviving one of comics’ oldest and most storied genres by launching a dedicated imprint that places crime at the center of its lineup. The move signals a renewed push…

Gianfranco Rosi’s Pompei: Below the Clouds takes a quiet, observant tour through a modern Naples that sits under the looming shadow of Vesuvius. The film keeps its distance, letting life in…

Cannes will open its 79th edition with Pierre Salvadori’s Paris-set drama La Vénus électrique, a 1920s–tinged romantic comedy. The premiere is scheduled for the Grand Théâtre Lumière on May 12, following…

The Future of Film Is Female teams with Neon for a cross‑country showcase that brings three recent indie titles directed by women and nonbinary creators to five U.S. cities this spring.…

The hardest moment to film in Project Hail Mary wasn’t the rocket science or the alien encounter. It was the infrared-lit sequence showing the astrophage advancing on the sun, a visual…

Alexandre O. Philippe’s latest cinephile study rethinks Alfred Hitchcock’s Vertigo by foregrounding Kim Novak as the guiding presence behind the film. The documentary revisits the 1958 thriller through Novak’s memories and…

Wagner Moura is stepping into a lead role opposite Kristen Stewart in Flesh of the Gods, a vampire thriller from Panos Cosmatos. A24 has landed US distribution for the project, moving…

A personal medical history becomes a larger cinematic map in D is for Distance, directed by Christopher Petit and Emma Matthews. Marina Ashioti frames Louis Petit’s epilepsy as the starting point…

Bogart Despised Making One of His Most Bizarre Films Humphrey Bogart is best known for hard‑boiled noir, but he also took on offbeat projects that tested his patience. The oddball sci‑fi/horror…