Cinema

Collider's take on The Rookie argues the show leans on a mockumentary frame that fans are tiring of. By recycling familiar faces instead of advancing fresh arcs, this installment drags rather…

There’s an argument that cinema’s sonic potential remains underused, even as surround sound technologies multiply the ways audiences hear a film. Undertone bets on that instinct by centering a podcaster who…

Two decades after Behind the Mask first carved out a cult niche, the Leslie Vernon story is back in development. Directors Scott Glosserman and writer David J. Stieve say this revival…

François Ozon reimagines Albert Camus’s The Stranger as a cool, almost clinical meditation. The camera calculates every frame with a fashion‑forward precision that invites mood over motive. Benjamin Voisin portrays Meursault…

David Mackenzie’s latest thriller stretches a daylight-heist premise over a London that looks immaculate but feels a touch inert. The setup—a World War II bomb found on a building site—becomes the…

Titanique lands on Broadway with a gleeful, over-the-top spoof of the Titanic saga. The show repurposes Céline Dion’s catalog as its engine, stitching together iconic movie moments with rapid-fire jokes and…

Co-directed by Stephen Maing and Eric Daniel Metzgar, the film compiles scenes from American life across 2017 to 2020, arriving as a period piece that still speaks to today. It favors…

In Mile End Kicks, Barbie Ferreira steps into the role of Grace, a 22-year-old music writer navigating the indie scene in 2011 Toronto and Montreal. She writes for Merge Weekly, where…

Star Trek’s Most Potent Weapons, Reimagined: A Top-10 Breakdown Across decades of shows and films, the saga has highlighted armaments that tilt galactic power and test heroic resolve. This refreshed look…

A fresh look at Sam Levinson’s 2011 Sundance debut reframes how his later work, notably Euphoria, springs from a volatile family drama. Another Happy Day follows a chaotic suburban wedding, centering…