In a candid conversation with Variety, Jeethu Joseph reconsiders the spine of Drishyam 3, emphasizing a shift away from the classic thriller label toward a more intimate family drama.
The focus centers on Georgekutty, now with grown children, whose fear and constant vigilance linger long after the crime at the heart of the series. Joseph describes a life spent suspecting that the police could close in at any moment, a punishment that never truly ends.
Rather than chasing edge‑of‑the‑seat twists, the director frames the third instalment around the emotional terrain of one family protecting their daughter while another pursues justice for their son. He notes the franchise’s reach across borders, with screenings even in China underscoring its universal appeal.
Fans often expect the franchise to deliver its procedural flair, but Joseph insists the approach is organic: cinema has no fixed formula, only a commitment to telling the truth of the moment.
Beyond Drishyam, Joseph has ventured into a broader range of genres, from atmospheric thrillers to courtroom drama and horror. He describes himself first and foremost as a storyteller who pursues compelling ideas, whether on a big scale or a leaner project.
Looking ahead, two projects are already taking shape: a Telugu feature written by Santhi Mayadevi and a collaboration with Prithviraj Sukumaran. He leaves the door open for Drishyam 4, noting that if a definitive Three ends a certain way, a fourth film could be possible depending on what the third instalment yields. He concludes with a straightforward aspiration: let Three land, then they’ll decide what comes next for the family.
Source: Original article
