Screen Line News – Page 23

PS6 Handheld Rumors Promise Power, But Uncertainty Lingers

Cannes Opens With Pierre Salvadori’s 1920s Romantic Comedy La Vénus électrique

Resident Evil Director Cregger Warns Fans May Recoil at Fresh Reboot

Three Films, Five Cities: A Female‑Driven Indie Tour Expands Its Reach

How the Astrophage Moment Became the Hardest Shot to Film in Project Hail Mary, According to Its Directors

The Drama Stars Alana Haim and Mamoudou Athie Discuss the Twisted Wedding Romance

Kim Novak’s Vertigo review: the Hollywood legend proves she’s still got it

Daredevil: Born Again Episode 3 Signals Angela del Toro’s White Tiger Debut

Wagner Moura joins Kristen Stewart in Flesh of the Gods for A24, replacing Oscar Isaac

D is for Distance: a bold, free-form journey through memory and political unease

Bogart Despised Making One of His Most Bizarre Films

Project Hail Mary Keeps Soaring, Pushing Toward a $600 Million Global Run

Trump Sets Primetime Address to Update Nation on Iran Situation

Wheel of Time Returns, Igniting a Cosmere‑Fueled On‑Screen Rivalry

Amanda Batula and West Wilson Publicly Confirm Romance as Summer House Cameras Pause

Andrew McCarthy Reconsiders Pretty in Pink at 40: Wig, Ending, and the Brat Pack Legacy

Mario Galaxy Movie Review: Colorful, Showy, and Largely Hollow

Scream 8 Heads Into Development With Poker Face Writers Lilla and Nora Zuckerman

Born Again S2E3: The Punisher’s Whereabouts Explained

Ice Cream Man Gets a Broad Summer Release

Karl Urban’s Early Break in Ghost Ship: An Underrated 2002 Horror

Nagarjuna Akkineni Reflects on 40-Year Career as He Charts His 100th Film

Ellison Frames Paramount-WBD Deal as a Tech-Driven Path to Growth and Cost Savings

John Billingsley Reframes Dr. Phlox’s View of the NX-01 Crew

Ten Zombie Classics That Outpace the Bone Temple Chapter

Cannes 2026 Preview: Auteurs Take Center Stage as Studios Sit Out

J.J. Abrams Was the Tribble Puppeteer in Star Trek Into Darkness, New Behind-the-Scenes Detail

Paul Schrader Breaks Silence on Wife Mary Beth Hurt’s Passing

Jack Whitehall to Host SNL UK’s Fourth Episode Ahead of Week-Long Hiatus

Sofia Mattsson Heads to Days of Our Lives After General Hospital Exit

Cannes Call: IndieWire and AmPav Open 2026 Student Programs

Crime 101 review: a stylish cast, but a fragile screenplay

Hidden post-credits giggle: Spock and Doug’s Vulcan-human chat on Strange New Worlds

Oscars Predictions Point to Familiar Favorites, with Few Surprises on the Horizon

Gabe Klinger Returns to Brazil for Berlin World Premiere of Isabel

Robby’s Sabbatical, Lingering Tension, and Louie’s Memorial in The Pitt, with Noah Wyle

Love Letters Trailer Puts Ella Rumpf at the Heart of a Queer Motherhood Story

Berlin Review: Anders Danielsen Lie Leads a Grim Bill Evans Biopic

Fondazione Prada Announces First Batch of Funded Films, Highlighting Weerasethakul, Huezo and Porumboiu

Fondazione Prada Film Fund Announces First Grants, Highlighting Huezo, Weerasethakul and Akin

Berlin-bound My Wife Cries trailer signals Angela Schanelec’s quiet, disquieting drama

The Pitt S2E6 Recap: A Tender Goodbye That Lingers

Ten Beloved Sitcoms Cut Short Before Their Time

Renny Harlin dives back into shark cinema with Deep Water

The 1970s Breakthrough: Coppola, Lucas and Spielberg Redefined Hollywood—and who’s carrying the torch today

Casting sparks around Jacob Elordi’s Wuthering Heights adaptation, explained

Remembering Dark Winds Season 3: pivotal twists and the path to Season 4

Wuthering Heights review: beauty on the surface, emptiness inside

Noah Wyle on The Pitt: Writing Was the Hardest Part, Not Just Directing

Stellan Skarsgård Reflects on a Storied Acting Journey, From Cannes Debut to Dune

Mrs. America Revisited: Rose Byrne’s Gloria Steinem Stands Out in a Sharp, Award-Worthy Miniseries

PTA’s One Battle After Another Surges Past Global Box Office Milestone

South Park Takes the Lead on Paramount+ as Tulsa King Yields Ground in October 2025

Countdown on Prime Video Faces a Streaming Setback

All Creatures Great and Small Cast Hints at Spin‑Offs After Series Wrap

CBS’s DMV Delivers Workplace Laughs With an Entertaining Ensemble

Freddy’s Dead: A Misunderstood Ending That Shaped Modern Horror

Blumhouse Bets on Black Phone 2 to Spark a Box Office Turnaround

Monster: The Ed Gein Story Skews Truth in Netflix Drama

Ben Stiller’s Miami Vice Moment That Signaled a Big Screen Run

Mrs. America Reframes the ERA Battle Through Gloria Steinem’s Composed Leadership

Why Tiny Tim’s Tulips Still Haunt Audiences

Midyear Spotlight: Standout Animated Features of 2025 So Far

John Lithgow Joins HBO’s Harry Potter Series as Dumbledore, First Look Surfaces

Standout Screen Performances of 2025 (So Far)

Stephen King’s Favorite Films: Sorcerer Tops His List of Underrated Thrillers

Ten Horror Sequels That Lost the Edge

Yellowstone Set Clash Between Costner and Bentley Prompts Tears for Reilly

The Inner Light Gets an Unauthorized Sequel Courtesy of Its Creator

Brannon Braga: Season 1 of Star Trek: Enterprise Suffered from Burnout and Hiring Shakeups

The Mask climbs back into Netflix’s Top 10, decades after its 1994 debut

Gen V Season 2 Enlists a The Boys Alum to Unravel Major Mysteries

Top 12 K-Dramas of 2025 So Far — A Fresh Roundup

Tron: Ares review — neon gloss, hollow core

Arrow Cast, Then and Now: Where They Are Today

Dylan O’Brien’s Maze Runner Trilogy Streams on Netflix Soon

Anemone Ending Unpacked: Shame as a Relentless Force in a Fractured Home

Nightflyers (1987): A Forgotten 80s SF Thriller Tough to Track Down

Fans Rally Behind Liam Hemsworth as Geralt Ahead of Witcher Season 4

Tron: Ares review — glossy surface, hollow core

Him review: ambition, cults and the sport-horror collision

The Smashing Machine review — a tender, piercing portrait of a fighter’s psyche

Tron: Ares – a glossy neon spectacle with a hollow core

The Smashing Machine review: a intimate, unflinching look at a fighter’s psyche

Him review: a bold mood piece that stumbles toward its climax

The Smashing Machine review: a candid portrait of strength and fragility

Tron: Ares review finds neon gloss masking a hollow narrative

Truth & Movies Dives Into Paul Thomas Anderson: Magnolia, Licorice Pizza, and One Battle After Another

Tilda Swinton’s Ongoing Vision Shines at Amsterdam’s Eye Filmmuseum

Him review: ambition and cult horror collide in a stylish but uneven thriller

Directing Urchin: Harris Dickinson on crafting an adventurous debut

The Lost Bus review: a solid if unoriginal eco-thriller

Spinal Tap II and Company: Truth & Movies Digs into The End Continues, The Long Walk, and Carrie

Truth & Movies explores a road-trip fantasy, a razor-edged coming-of-age tale, and a Nadia Latif chat

PTA Spotlight: Magnolia, Licorice Pizza, and a New Chapter

Tilda Swinton Spotlight Shines at Amsterdam’s Eye Filmmuseum

Sámi Drama Shut Up Heads to Cannes Under Norse Key

Joshua Barnett Named CEO of After Party Studios, Co‑Founders Refocus on Content

T-Pain Launches Animated Wiscansin Universe With Viral Nation and Wind Sun Sky

Uyoyou Adia to pen and helm Nollywood Afrobeats film Evi, produced by Judith Audu and Switch Visuals

Top Story

Directing Urchin: Harris Dickinson on crafting an adventurous debut

Harris Dickinson, best known for his acting work, steps into the director’s chair with his feature debut, Urchin, which he wrote and directed. The London-set drama centers on Mike, a drifting…

Awards Cinema Top Story

Oscars: Conan O’Brien to Return as Host in 2026

On the heels of a critically acclaimed 2025 ceremony that attracted the highest ratings for an Oscars telecast in five years, executive producers Raj Kapoor and Katy Mullan and producers Jeff…

Cinema News Top Story

Daniel Craig’s Racy Turn in Luca Guadagnino’s ‘Queer’ Earns Raves at Venice Film Festival With 9-Minute Standing Ovation

Drew Starkey, director Luca Guadagnino and Daniel Craig attend the 'Queer' red carpet in Venice. GETTY IMAGES The A24 film, co-starring Drew Starkey, Lesley Manville, Jason Schwartzman and rising pop star Omar…

PETER WEIR GOLDEN LION FOR LIFETIME ACHIEVEMENT OF THE BIENNALE CINEMA 2024

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PETER WEIR GOLDEN LION FOR LIFETIME ACHIEVEMENT OF THE BIENNALE CINEMA 2024

The award ceremony will take place on Monday 2 September at 1:45 pm in the Palazzo del Cinema, followed by the screening of Master and Commander. PETER WEIRGOLDEN LION FOR LIFETIME ACHIEVEMENT…

Venice Film Festival

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Mrs. America Reframes the ERA Battle Through Gloria Steinem’s Composed Leadership

ScreenLine Reporter October 14, 2025

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Blake Lively Wins the “Attorneys’ Eyes Only” Battle in Legal War With Justin Baldoni

ScreenLine Reporter March 17, 2025

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PETER WEIR GOLDEN LION FOR LIFETIME ACHIEVEMENT OF THE BIENNALE CINEMA 2024

ScreenLine Reporter September 3, 2024